From the beginning of 2000 on Giorgio Mega started to be interested in arts, studying especially engraving in its wider meaning of recording and reproduction, anthropology, phenomenology and installations at Accademia di Belle Arti di Bologna, experimental cinema and interaction between sound and images at UDK Berlin. The poles of interest are often the anarchive, writings, sound subjectivation and its possibilities. As a musician is taking part of Bologna’s and European underground net of experimental, improvising and noise musicians and venues in the same years. Research in sound and in a beyond-of-image art, through semantics of improbability, brings to sound art or sound performances, between writing and its impossibility, to act in an indisciplinary field.